He studied music and ethnomusicology at the Washington University. Submerging himself not only in the theoretic and practical aspects of music but simultaneously developing an unique identity for various cultures and traditions which is realized when his musicianship goes into play.

Brozman is unique in his own way in that he is an artist, an author, and at the same time he travels vigorously and culls extensive information to widen his knowledge on the music of different cultures.

Brozman studies with impetuosity the music of other cultures that he has untrammeled. Especially of those containing a vast array of influences ranging from the elements of blues, jazz, Sega, Calypso (West Indian music in syncopated African rhythm),Gypsy swing, and even the modern hip-hop.

His hunger for various cultures is unquenchable and is almost reflected in all of his songs. His erudition on ethnomusicology helps him to to revere and give enough attention to a varied culture in his own music. Besides touring and recording immensely. Bob also does what one would say a divine deed: teaching. He teaches ethnomusicology at Macquarie University in Sydney, Australia.

Among his many accomplishments as an academic, a musician, and a composer, Mr. Brozman is also a humanist. He has created a foundation that helps procure playable instruments, tuning mechanisms, and other musical equipment for non-western musicians - an issue which laid latent for many years.

It is Mr. Brozman's blend of musical expertise, experimentation with different cultural flavors of music, understanding of musical theory and the traditions behind them, and a genuine desire to share his love of music with his students and the world at large that illuminates the generosity and passion of a true genius.